For our first version of act 1, scene 1, we selected a ‘battle of the bands’ parody sequence which demonstrates in an overdramatized, satirical way, that the feud between the Capulets and the Montagues is based on almost nothing.  The feud between the two bands: one a stereotypical Taylor Swift pop band; the other a rock star heavy metal trio, is rooted in insignificant tension because these two bands would not be in competition for the same fans and have no real reason for their hatred and anger toward each other. This interpretation supports the idea that the actions taken by the Capulets and the Montagues against each other are far too violent and consequential for such trivial reasoning. The play barely speaks as to why the two houses are hostile towards each other in the first place and our purposefully silly battling montage highlights the energy that is wasted by both sides for no real purpose or reward. Our take on the dialogue, although adapted to our theme with a modern musical twist, stays true to Shakespeare’s original framework as it retains the witty pun-filled banter of Sampson and Gregory.

When brainstorming ideas for our second version of act one, scene one, we drew inspiration from the rivalry between the Montagues and the Capulets and how this animosity between the houses reminded us of the rivalry between the Griffindor house and the Slytherin house in the Harry Potter series. The wands used in Harry Potter parallel well to the swords used in the traditional interpretation of Romeo and Juliet. The conflict between Griffindor and Slytherin is one that many of us are familiar with, and adds a more modern twist to Romeo and Juliet. Our Harry Potter version of the scene also contrasts considerably with our Battle of the bands version. While our Rockstar interpretation is satirical, this version is more serious and does not make light of the dangerous conflict between the two parties involved. Our style and camera work also differed from our first version. We filmed it outdoors, making use of longer landscape and tracking shots, in contrast to the fast cuts typical in music videos. The musical score we used was drastically different as well. Whereas the music was overtly a major element in our first version, in our second, it was used more subtly under the action and dialogue to enhance the tension in the scene. We also used music to transition between our two interpretations.