Romeo and Juliet is truly a classic play written by Shakespeare. That is part of the reason I chose to compare the act 2, scene 2 in the films that were made by Franco Zeffirelli in 1968 and also the newer version of Romeo and Juliet made by Baz Luhrmann in 1996. The other part of the reason I chose to analyze it was because I have seen and read the play. The two scenes obviously have the exact same concept behind them, yet they were executed in two extremely different ways. There are certain styles and details, beyond the very contrasting setting that the two directors chose that set the directors and scenes apart. Zeffirelli uses elaborate and over the top acting in order to portray the scene in a heart wrenching love story type of way. While Luhrmann uses a modern-day touch of comedy and a very eerie water setting to enhance the sense of urgency that is in the air while the two lovebirds meet. Both directors execute act 2 scene 2 fairly well, however Luhrmann transports the classic play to a familiar setting in order to have it relate to a modern-day audience, thus in my opinion he did it right.
The settings of each individual film were very specific. Each setting was pivotal in the rest of the directing decisions. Luhrmann could not have made his film theatrical in the same way that Zeffirelli executed his film with elaborate acting and classical landscapes. This is possibly why Luhrmann chose to have it in a modern-day setting. The Verona beach setting enable the classical play to take on a modern-day touch that would easily relate to people in the 1960’s and also today. During the first part of this scene Leonardo DiCaprio who plays Romeo is seen fumbling over patio furniture and causing a ruckus while attempting to utter his “But soft! What light through yonder window breaks? It is the east, and Juliet is the sun,”(2.2.2-3) line this is only possible because of the choice to have props that tie in with his desired setting of the film. Zeffirelli chose the classical setting that was used to speak to the original context of the play. By having the feuding families and love bird set in the 1300’s the castles and balls and elaborate theater type acting all fits together. When Leonard Whiting is saying the exact same “but soft!” line he is sneaking through the bushes, this creates an entirely different feel for the viewer. The viewer is given a quaint teenage feel that is wrapped in a ‘medieval cloak’.
Juliet plays a crucial role in this particular scene. Her acting either makes or break the scene. In the movie directed by Zeffirelli, Olivia Hussey who plays Juliet over does the acting. She is so elaborate, awkward and over directed. Her actions are unnatural, she takes unnecessarily long pauses and she looks as if she is forcing her love for Romeo. Hussey’s “O Romeo, Romeo! Wherefore art thou Romeo? Deny thy father and refuse thy name,”(2.2.33-34) illustrates exactly how there is no girl on this planet who would ever use facial expressions to that extent while talking to herself alone on her balcony no mater how in love she is.
In the movie directed by Luhrmann, although it is more modern, the acting by Claire Danes is relaxed and natural. She is able to portray her love for Romeo simply by whispering the exact same “O Romeo” line and all the while keeping her body language calm.
The acting plays an enormous role in the film and the acting by Claire Danes was simply superior.
Both of the directors generate emotions from their respective takes on this particular scene. Luhrmann’s seamlessly humorous pool scene ties in the Verona beach star-crossed lovers idea perfectly, while on the other hand, Zeffirelli’s 1300’s overprocessed backyard teenage love scene over plays the importance of the feelings and urgency, thus ruining it.
Works Cited and Sources:
Zeffrelli Romeo and juliet 1968— https://www.youtube.com/watch?v=S0qao2xINsE&feature=youtu.be
1996 Romeo and Juliet viewed on www.moviesub.net/romeo-juliet-1996/2212.html
William Shakespeare’s Romeo Juliet. Dir. Baz Luhrmann. Twentieth Century Fox Film Corp., 1996. Web.